Identity genre of Jesper's art ©
Tossegod malerier
'Jesper S. Andersen paints' feeds the heart, mind and emotions. Covered as many genres Gluten Free.
A history of my thoughts on flæskesteg, rødgrød med fløde på jorden - visual art and blogging. [ Flødebolle Oops, 400! Error. The request cannot be fulfilled due to bad syntax.] Member of Copyrightagency Ltd.
06 Private Collection. Barnaby Maichael Andersun; BAND Royalty music NFTs co-founder, CryptoTenX Podcast, King of Quotes NFT Game, and Chief blockchain architect at BlockAlchemy. San Miguel de Allende city in Mexico.
Collection: Brad Rey.' Brand-Aid Pty Ltd.' The architecture of a business; a blueprint for success.
Hand Painted.
Hand Painted using Jaspers brush.
An Adelaide Hills Weekender newspaper article;
" I have never met the man, but JesperSorenAnderson's paintings... suggest that he is a passionate man and intelligent enough to challenge viewers of his works to debate how he uses colour and forms to shape his art... works are brash, bold... stokes of brilliant almost iridescent colour... skilful at making the painting do what he intends. This risky rugged style complements the theme of his art. It is refreshing and well-executed. He can take us on a journey." - Extract from; Joel Weatherald, Adelaide Hills Weekender, Adelaide hills independent lifestyle monthly, June 1999.
77 Collection: Michael McCormack Evans, at the - Peter F. Burns Real Estate Pty. Ltd. Brighton SA 5048.
1 Collection: Catherine Healy Romano Jung, 15 Aldam St, Aldinga Beach, S.A. Australia.
Ref. Collection: Dr Bruno Giorgio MB BS MRCOG FRANZCOG Cheif Executive Officer IMOG
12/10/2006 " Tin Cat Cafe, S.A.
Painter Practicing Painting - Jesper S. Andersen © 2024.
¹2023 Copenhagen University alumni network Denmark, [invited.]
© Copyright 2024 Jesper Søren Andersen All rights reserved
I don't have any doubts about it.
If one were to draw an analogy from paintings, mostly colours, shapes and meaning to create an effect for the particular image of Expression, Symbol and Primitivist, the latter of which is an excellent source of inspiration.
The Painting Shown Here on LiveJournal Are Done On Oil Sketch Paper - Hessian Finished, 250gsm, Acid-Free, Mould Made With Retarder Eliminating Bleeding.
These blunt, rounded, not sharp, forthright and plainly executed paintings by JesperSørenAndersen art were
painted in "Shalom Monastry Studio" they are a necessary palliative to mitigate and alleviate. I knew that I must paint not what I saw but only what was in me, in my soul, and I listened. I do visual art that feeds the heart, mind and soul.
I create unique experiences that approach my friends with their followers and users highlighting innovations from point to point, referring to the tips of one's toes or the movement from place to place uncountable.
"Anyone who tells a lie has not a pure heart and cannot make a good soup."-[Ludwig van Beethoven] "An honest answer is like a warm hug."-[Proverbs 24:26 MSG] These wise words preached me a sermon, and I listened to the right word and applied the right tone of coloured oil paint at the right time to the relationship between space, colour and meaning.
© Copyright 2024 Jesper Søren Andersen All rights reserved
PALETTE-SPEAK
My search for distinctive revelation, using a limited repertoire of recurring motifs, often leads me to use my intuition with my minimal reductionist type of vibrant colour and geometric shapes, which require a high degree of effort to fill in the details. In my paintings, which are primitive, I consider myself a painter who examines the lay of the landscape about the flatness of the picture plane. Overall my painted oeuvre is not extensive; I have 50 paintings in private collections in Australia and Europe.
JESPER S0REN ANDERSEN
PALETTE-SPEAK
My search for distinctive revelation, using a limited repertoire of recurring motifs, often leads me to use my intuition with my minimal reductionist type of vibrant colour and geometric shapes, which require a high degree of effort to fill in the details. In my paintings, which are primitive, I consider myself a painter who examines the lay of the landscape about the flatness of the picture plane. Overall my painted oeuvre is not extensive; I have 50 paintings in private collections in Australia and Europe.
See also my other blog;
http://mountcompass.livejournal.com.
" Jesper S. Andersen Art " - ' this is the way ' into oil painting without any
prior knowledge of deeper contexts that influence how and why to
appreciate or create a work of art.
The " JesperSórenAndersen Palette."
ART SPECTRUM - Artist' Oil Colour [ Conforms to ASTM D4236 ].
1. Spectrum Yellow.
2. Golden Yellow.
3. Phthalo Blue.
4. Ultramarine Blue.
5. Spectrum Red Deep.
6. Permanent Crimson.
7. Phthalo Green.
8. Titanium White oil paint.
The medium I use is Archival Oils - Lean Odurless medium.
Please take a look at my other journal and blogs:
http://www.artwanted.com/jesperandersen
OPINION
Be provocative absurdity is underrated;
if the idea is not absurd at first,
then there is no hope.
A place where the best of both worlds is a reality.
A place of AND, not OR.
In 2019 my medical GP Doctor Michael Reid BMBS BSc MSc PhD DRACOG
said that I have made a career mistake, he said to me;
" You're not an artist!". Go down a rabbit hole of conspiracy
theories. Shepherd heard the cries for help.
http://visual-artistblogspotcom.blogspot.com
http://jespersa.livejournal.com
http://strongvisualart.blogspot.com
CURRICULUM VITAE
JESPER S. ANDERSEN
Andersen Søren Jesper.
Born, og født igen:
Jeg er født i Jægersborg Sogn.
Og blev døbt i Rødovre Kirke, Danmark.
CONTACT DETAILS
Email: jespersa@gmail.com
STUDIES
2023 Københavns Universitets alumnenetværk. [invitere].
Auto-didactic, [principally trained to be self-taught].
Studied Etching at Flinders University, S.A.
1973 Desiderius Orban, The Rocks, Sydney, N.S.W.
1973 Graham Inson, Sydney, N.S.W.
1970-1972 Julian Ashton Art School, The Rocks, Sydney, N.S.W.
1967, 1968 Murray Walker & Robert Grieve at Grahams Castle,
Adelaide University Summer School, Goolwa, SA
1964-1966 Self-taught at Terowie and Tailem Bend S.A.
INDIVIDUAL EXHIBITIONS
2010 - SALA Festival @ Mount Compass, S.A.
2002 - SALA Festival, Red Dot Gallery, Ingleburn, McLaren Vale, SA
2002 - Adelaide Fringe, The Arts Centre, Port Noarlunga, S.A.
1999 - John Dunn Gallery, Bridgewater, SA
1999 - Red House Gallery, Sturt, SA
1979 - Adelaide Fine Art and Graphics, SA
PUBLICATIONS:
The artist is listed in the following Australian standard biographical reference:
1990 - Germaine, Max. Artists and Galleries of Australia, Volumes 1 & 2, Third Edition. Craftsman Press, Sydney, 1990. Page 10.
ARTICLES:
1999 - Adelaide Hills Weekender, June '99, by Joel Weatherald.
1999 - “ Copyright conundrum puts an artist out of the picture “- Michael Reid " The Australian," newspaper, December 13th, 1999, page 18.
GROUP EXHIBITIONS
1964 Meals on Wheels, Adelaide, S.A.
1970-1971 The Orient Hotel, George Street North, Sydney, N.S.W. Australia.
1971 - Julian Ashton Gallery, Sydney, N.S.W.
1971 - The Newcastle Hotel, Sydney, N.S.W.
1979, 1982, 1985 C.A.S. Gallery, Adelaide, S.A.
1992 - Chapel Hill Winery and Gallery, McLaren Vale S.A.
1992 - The Old Clarendon Gallery, S.A.
1996 - The Noarlunga Community Art Centre, S.A.
1997 - Chambers Gallery, City of Marion, S.A.
1997 - Pirramimma Winery, McLaren Vale, S.A.
1998 - The Barn, McLaren Vale, S.A.
1998 - The Noarlunga Community Art Centre, S.A.
1998 - Richard Hamilton Winery, Willunga, S.A.
1998 - McLaren Vale Visitors Centre, McLaren Vale, S.A.
2000 - Greenhill Galleries, Adelaide, S.A.
2004 - Det Runde Hus, Holsteinsgade 41, Odder, Jylland, Danmark.
2006 - My Happiness Exhibition, Tin Cat Café, Kent Town, S.A.
2006 - The Bobonaro Project, Tin Cat Café, Kent Town, S.A. Ref. Dr Bruno Giorgio, MB BS MRCOG FRANZCOG.
2016 - 2017 A Small World - International Art Show for Cancer Research, Magpie Springs, 1870 Brookman Road, Hope Forest, SA.
1971, 1972 PRIZES Won: Jesper Andersen attended Julian Ashton Art School in Sydney, where he won the Noni Guthrie prize for free expression in 1971 and shared the 1st prize in 1972 in the Philip Muskett Prize for landscape.
MINISTRY
1986 - Missionary trip to New Delhi and the state of Kerala, India.
1987 - TABOR College, Adelaide, S.A.
2015 - Missionary trip to " The Republic of Vanuatu."
MY CULTURE IS MY IDENTITY.
1998 - May 10th, Mother's Day, painter Jesper Andersen was featured in a long-running Channel 9, T.V., Australia, program,[ the artist's name was anglicized to " Jesper Anderson " in this Television production - " POSTCARDS " ].
Jesper S. Andersen has been painting for 60 years. In 1964 I sold my first painting to a senior citizen lady in Tailem Bend, S.A. For AU$ 25.00. Hence [ 60yrs. x $25 per year. = $1500. ] I use this amount to figure out the market value of my artwork the price for each oil painting. The last image sold as a donation to Flinders Medical Centre at a public auction, "Towards Wickham Hills [ McLaren Flat ] Size: " 47 x 65 cm, Medium: Oil On Sketch Paper - Hessian Finished, 250gsm, Acid-Free, Mould Made With Retarder Which Eliminates Bleeding. { was donated to " NEO CIRCUS " Neonatal appeal " Flinders Medical Centre Foundation - 13/09/2014 and sold for $1201.00.}.
I exhibited my paintings in 43 selected group shows between 1964 - 2017.
Copyright © 2024 Member of Copyrightagency all rights reserved.
When writing these delicious words it is possible to get the right letters to suit your needs! Example: Rød grød med fløde og flæskesteg.]
Be provocative absurdity is underrated; if the idea is not absurd at first,
then there is no hope.
In 2019 my medical GP Doctor Michael Reid BMBS BSc MSc PhD DRACOG
said that I have made a career mistake, he said to me: " You're not an artist!
Painter: Jesper S. Andersen.
Medium: Oil and collage on paper.
Size: 47cm x 64cm.
Ref:¹ 'jasper' in Hebrew language
Copyright © 2024 Jesper Søren Andersen. All rights reserved.
The Painting Shown Here on LiveJournal
Are Done On Oil Sketch Paper - Hessian Finished,
250gsm, Acid-Free, Mould Made With Retarder Eliminating Bleeding.
Painter: Jesper S. Andersen.
Medium: Oil on Sketch Paper Hessian Finished, 250gsm, Acid-Free, Mould Made With Retarder Eliminating Bleeding.
Size: 47cm x 64cm.
P.O.A.
In fiction, when one person reads the mind of another, it is often described as being able to hear this internal monologue as if it were said out loud.
Internal monologue, also known as inner voice, internal speech, or stream of consciousness is thinking in words. It also refers to the semi-constant internal monologue one has with oneself at a conscious or semi-conscious level.
Painter: Jesper S. Andersen.
Medium: Oil on Sketch Paper...
Size: 47cm x 64cm.
P.O.A.
" ...I will extend peace to her like a river, and the wealth of nations like a flooding stream; you will nurse and be carried on her arm and dandled on her knees."
Title: Solitude [ Terroir ] of the Ark
Painter: Jesper S. Andersen.
Medium: Oil on Sketch Paper.
Size: 47cm x 64cm.
P.O.A.
Solitude as in " terroir " can be very loosely translated as "a sense of place," which is embodied in certain characteristic qualities, the sum of the effects the local environment has had on the production of the art. At its core is the assumption that the land from which the art is inspired, imparts a unique quality that is specific. The amount of influence and the scope that falls under the description of terroir has been a controversial topic in visual art.
Copyright © 2024 Jesper Søren Andersen. All rights reserved.Painter: Jesper S. Andersen.
Medium: Oil on Sketch Paper.
Size: 47cm x 64cm.
P.O.A.
Solitude as in " terroir " can be very loosely translated as "a sense of place," which is embodied in certain characteristic qualities, the sum of the effects the local environment has had on the production of the art. At its core is the assumption that the land from which the art is inspired, imparts a unique quality that is specific. The amount of influence and the scope that falls under the description of terroir has been a controversial topic in visual art.
The Painting Shown Here on LiveJournal
Are Done On Oil Sketch Paper - Hessian Finished,
250gsm, Acid-Free, Mould Made With Retarder Eliminating Bleeding.
Title: Braveart.
Painter: Jesper S. Andersen.
Medium: Oil on Sketch Paper Hessian Finished, 250gsm, Acid-Free, Mould Made With Retarder Eliminating Bleeding.
Size: 47cm x 64cm. Copyright © 2024 Jesper Søren Andersen. All rights reserved.
Not For Sale [ NFS ]
Braveart Browse Raw Art.
I was browsing an art magazine - Fine Art of Today's West. When I saw an advertisement for an exhibition at “ Red Cloud Indian School “ by the American Sioux Lakota artist Braveheart. After contacting him via E-mail, I painted the above autobiographical oil painting titled " Braveart " as a homage to Braveheart.
I understand the two Sioux words, " Lakota and Ohitika ". Lakota; means friend, and Ohitika; means brave.
Title: Forbidden landscape telling.
Painter: Jesper S. Andersen
Medium: Oil on Sketch Paper Hessian Finished, 250gsm, Acid-Free, Mould Made With Retarder Eliminating Bleeding.
Size: 47cm x 64cm. Copyright © 2024 Jesper Søren Andersen. All rights reserved.
NFS
Title: Nullarbor Nymph humpy.
Painter: Jesper S. Andersen.
Medium: Oil on Sketch Paper Hessian Finished, 250gsm, Acid-Free, Mould Made With Retarder Eliminating Bleeding.
Size: 47cm x 64cm. Copyright © 2024 Jesper Søren Andersen. All rights reserved.
P.O.A.
The myth of the Nullarbor Nymph was born in December 1971 and has become outback folklore. A young woman was photographed, wearing some strategically placed animal skins, running along the Nullarbor Plain. The female beauty lived in the desert with the kangaroos. National and worldwide media organizations flocked to the tiny town of Eucla just over the Western Australian border. Eucla is so small that if you blink on your way through, you’d miss it. A motel, petrol bowsers, one phone box, and a population of eight. There were even suggestions that she might be an itinerant Adelaidian who had disappeared from the motel the year before, leaving all her belongings behind. Out there, in the middle of nowhere, it seemed possible, even likely. The locals were taking tourists out into the scrub and surrounding bushland, showing them imprints of a woman's feet in the sand, and a place where it was believed the Nullarbor Nymph had her humpy.
In other words, the patterns are directly perceived as somehow meaningful and thereby offer themselves as salient motifs for use in rituals.
What are some good ways to improve the English grammar and writing abilities of a non-native speaker?
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Regular feedback is powerful because writing in a language that isn’t the first one you learned poses extra challenges. It can feel extra frustrating when your ideas don’t come across as naturally as in your primary language. It’s also tough to put your writing out there when you’re not quite sure if your grammar and wording are correct. For those communicating in English in a professional setting, your ability to write effectively can make all the difference between collaboration and isolation, career progress and stagnation.
Jesper Soren Andersen is listed in the following standard biographical references:
Germaine, Max. Artists and Galleries of Australia, Volumes 1 & 2, Third Edition. Craftsman Press, Sydney, 1990. Page 10.
Title: " War and Peace."
Painter: Jesper S. Andersen ©
Medium: Oil on Sketch Paper Hessian Finished, 250gsm, Acid-Free, Mould Made With Retarder Eliminating Bleeding.
Size: 47cm x 64cm.
" War and Peace " - is a homage to the youthful woman, a beautiful muse. It deals with the ravages and battles for peace in the body. Behind the central green female figure in the middle of the landscape, is the oil painter in red, laying down. This painting expresses a sense of climatic character, and stinging precision, with the splurge of paint and design. Which have meaning beyond simple description? All curves on the road to War and Peace, have different twists and turns, so curves on our bodies work the same way. Some curves have more hills, and some curves have more " Merry Dents ". The Masculine expressed through the vertical lines, can be seen in the trees; the balance can be reached (for example) by introducing a horizontal line of the sea. A woman will recognize herself in the endless horizontal line of the sea and will sing her balance in the vertical lines of the wood.
This was the first oil painting on the subject of the female form in the landscape series.
Title: The Gap.
Painter: Jesper S. Andersen ©
Medium: Oil on Sketch Paper Hessian Finished, 250gsm, Acid-Free, Mould Made With Retarder Eliminating Bleeding.
Donated to charity; IMOG initiative raising funds for the women & children of East Timor.
Title: First water, fire tracks and vineyards.
{This painting has since been destroyed by fire}.
Painter: Jesper S. Andersen ©
Medium: Oil on canvas
Size: 167 x 122cm
Date: 10/07/2002.
This painting is a primitive style, a composite rendition of a vineyard. The painting developed out of the lower half of another oil on canvas landscape titled; " First water, fire tracks and vineyards." See below.
The original painting is shown here in the photograph below. See " Willunga Hillock ".
" Hvo intet vover, intet vinder "- these are the sayings of my Danish mother -[ mor ]. - " Hellere smile ud gennem et lille vindue - end græde ud af et stort. " And " Urkrudt forgå ikke så let " Hva' rache det dæ?
'a; First water, fire tracks and vineyards ' has since been destroyed.
</span>The real subject of this LiveJournal is creative freedom. And that's the only possession an improver painter has - freedom to do whatever I can create as an improver painter. © copyright.
----------------------------------------
Title: Willunga Hillock.
Painter: Jesper S. Andersen. ©
Medium: Oil on Sketch Paper Hessian Finished, 250gsm, Acid-Free, Mould Made With Retarder Eliminating Bleeding.
Donated to charity.; IMOG initiative raising funds for the women & children of East Timor.
Ref. Dr Bruno Giorgio
MB BS MRCOG FRANZCOG Cheif Executive Officer IMOG
12/10/2006 " Tin Cat Cafe. SA.
Title: Seaview Road, McLaren Vale
Painter: Jesper S. Andersen
Medium: oil on Sketch Paper Hessian Finished, 250gsm, Acid-Free, Mould Made With Retarder Eliminating Bleeding.
Size: 64cm x 47cm. Copyright © Jesper Søren Andersen All rights reserved
Seen from a high vantage point, this approachable landscape embodies a pioneering spirit with our impact on the natural environment, as roads cut into the landscape and with it's frontal aspect of the Seaview sub-region. An enthusiasm for lemon citrus colour adds a tangy note to this animated subject, with a hint of the vineyard. This painting is as fiercely original as the beautiful country of the Fleurieu Peninsula is remote.
Title: Salvation Jane and Vineyard.
Painter: Jesper S. Andersen.
Medium: Oil on Sketch Paper Hessian Finished, 250gsm, Acid-Free, Mould Made With Retarder Eliminating Bleeding.
Size: 47cm x 64cm. Copyright © Jesper Søren Andersen All rights reserved
This modernist oil painting shows vineyards in the Fleurieu Peninsula wine-growing region. It's an intuitive representation of colour and form that I perceive and has reduced the pictorial space to a two-dimensional plane, eliminating illusion and representing objects as geometric shapes.
The painting is a self-sufficient entity independent of the external world of Willunga. Which lies south of Adelaide, the capital city of South Australia.
A.
Title: Baker Gulley - Kangarilla SA ©
Painter: Jesper S. Andersen
Medium: oil on Sketch Paper Hessian Finished, 250gsm, Acid-Free, Mould Made With Retarder Eliminating Bleeding.
Size: 47cm x 64cm.
Price: $1500.00
This landscape is interspersed with nature's peaceful elements such as rolling hills, valleys in flat upland
areas and sun-baked trees. The subject is located in the McLaren Vale wine-growing region; the undulating hills and gully's of this landscape show there’s introspection, loneliness, and longing for rain.
A melancholic, austere, rugged ' Baker Gully.' It's red-brown soils on a late summer afternoon, near the settlement of Kangarilla on the upper Fleurieu Peninsula, in South Australia.
B.
" Art is a way— you might say a set of technologies— for making images, preserving them in time, and showing us things we aren't ordinarily aware of. ... "Don't we need people who can see things from different points? Of view?"... "Lots of artists, and all kinds of artists. They look at life from another angle."... And yes, we do need it.- David Hockney "MIT Technology Review. Computing. "The Mind's Eye."
Paintings on this LiveJournal are listed for sale.
C.
Title: Baker Gulley - Kangarilla SA ©
Painter: Jesper S. Andersen
Medium: oil on Sketch Paper Hessian Finished, 250gsm, Acid-Free, Mould Made With Retarder Eliminating Bleeding.
Size: 47cm x 64cm.
Price: $1500.00
All artworks on the LiveJournal have been executed in Shalom Monastry Studio, McLaren Vale, South Australia.
2024 Copyright © Jesper Søren Andersen All rights reserved
Collection of the artist.
© 2024 Copyright Jesper Søren Andersen. All rights reserved.
Efter onde kommentarer er det slut fremadrettet vil mit arbejde som maler foregå i mere lukkede kredse, og jeg har ikke længere lyst til at dele mit arbejde på sociale medier eller i kirken, mennsker i kirken kan ikke lide mit malerier og de har onde kommentarer om alle mine kunstværke og mit maler arbejde.
Title: Willunga Hills.
Painter: Jesper S. Andersen
Medium: Oil on Sketch Paper Hessian Finished, 250gsm, Acid-Free, Mould Made With Retarder Eliminating Bleeding.
Size: 47cm x 64cm.
Price: $1500.00
© 2024 Copyright Jesper Søren Andersen All rights reseved
Painting and creating is not a musty old-fashioned activity; it 's alive. To express yourself well at this age, get to know your substance and how it can hold meaning. Science and technology have given us reason and explanations, but still, art holds unanswered and unnameable experiences. " In monumental oil paintings, the self is an expressive vehicle while roughly hewn and boldly painted." - Gagosian Athens
" Visual art is great. It draws the attention of people. That's what people's work does. It preaches to them after they' re gone. Yes... it certainly does." – Howard Finster
If we consider the several components manifested in this work of art, foremost is the painter myself. There is also my particular social and cultural environment. But equally the act of creating using my intuitive faculties, non-essential elements were distilled or eliminated. To appreciate this auspicious work of art entirely. One must use the same sense of intuition as I used, together with your conscious knowledge of my other works of art on this " LiveJournal," and other blogs, to judge the quality of my abstract realism.
This painting was painted from memory. I am expressing myself in a cursive, gutsy way, not overtly ' thick ' but full of Spiritual Overflow presence.
Shalom Monastry Studio ©
Painter: Jesper S. Andersen.
Medium: Oil on Sketch Paper Hessian Finished, 250gsm, Acid-Free, Mould Made With Retarder Eliminating Bleeding.
Size: 47cm x 64cm.
Price: $1500.00
© 2024 Copyright Jesper Søren Andersen All rights reserved
You can almost smell the brooding odours of existential angst.
And their metaphors are as ham-fisted as the application of pigment.
Is my brand so strong that you can't resist looking - even at works on
which you know no love will be lost? Testing the parameters of
expectation and taste.
Title: Winter landscape blanket.
Painter: Jesper S. Andersen.
Medium: Oil on Sketch Paper Hessian Finished, 250gsm, Acid-Free, Mould Made With Retarder Eliminating Bleeding.
Price: $1500.00
© 2024 Copyright Jesper Søren Andersen All rights reserved
The several components manifested in " Winter landscape blanket” there is also the particular social and cultural environment. The influence of my sayings sinks into your ears, fused by the intuitive processes. I used a quantity of Titanium White paint, painted spontaneously, rough handling of patched white oil paint, suggesting direct observation, over a dark green older landscape underneath, [this is called - Pentimento]. To create spatial ambiguity shape against the space while portraying the irregularities in nature. You can almost smell the brooding odours of existential angst. And their metaphors are as ham-fisted as the application of pigment & hues.
Is my brand so strong that you can't resist looking - even at works on
which you know no love will be lost? Testing the parameters of
expectation and taste. It's both a post-modern landscape, prophetic and a tablet, a flat slab. Space is a presence, not just interplay, of distance in pictorial space.
Title: Louds Hill Road Autumn.
Painter: Jesper S. Andersen
Medium: Oil on Sketch Paper Hessian Finished, 250gsm, Acid-Free, Mould Made With Retarder Eliminating Bleeding.
Size: 47cm x 64cm
Price: $1500.00
© Copyright 2024 Jesper Søren Andersen All rights reserved
Protective powers of the colour red against evil influence were common beliefs. Objects, animals and trees were covered in red paint, and warriors painted their axes and spear catapults red to endow the weapons with supernatural powers. Some of the Australian aborigines have abided by this custom up to the present time. Roman gladiators drank the blood of their dying adversaries to take over their strength. In other cultures, the newly born were bathed in the blood of powerful and good-looking animals. Wearing a red ruby was supposed to bring about invincibility. Red bed clothes were customary in Germany up to the Middle Ages as protection against the " red illnesses", such as fever, rashes or even miscarriages (a famous example is the painting Arnolfini Wedding by Jan Van Eyck, dated 1434). Your Bible has a crimson core. It begins with God Himself, shedding the blood of the first sacrificial lamb to cover Adam's sin, and ends with a multi-national chorus singing, " You . . . have redeemed us to God by Your blood out of, every. . . nation" (Rev.5:9). The blood will always offend those with sins to hide, a rebellious will to protect, or a Gospel that offers salvation through good works or social evolution. The blood not only saves the repentant, but it also condemns the defiant, for ", And almost all things are purged by the law without the shedding of blood there is no remission."
" Since Scripture imparts salvation, effective evangelism depends on the faithful proclamation of the Word. God will prepare the soil and bring forth the fruit. We must be faithful to plant the seed." - John MacArthur
In The Holy Communion, the symbols of bread and wine speak to us of Jesus' body and blood. Bread and wine are physically real and almost universally recognized as archetypal food and drink. And while they are like Jesus' body and blood (in colour, texture,n form-solid and fluid), they are also unlike it. Bread and wine are typical, but Christ's body and blood are unique, broken and poured out " once and for all." It is our creative power that transfers the stark symbols of body/blood to another level, on which we perceive their meaning-Jesus himself, broken and made available for our spiritual life and nourishment.
Shalom Monastry Studio.
© 2024 Copyright Jesper Søren Andersen All rights reserved
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